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There is nothing that art cannot express, and I know that the work I have done, since I met Dorian Gray, is good work, is the best work of my life. But in some curious way--I wonder will you understand me? I see things differently, I think of them differently. I can now recreate life in a way that was German cane: I forget; but it is what Dorian Gray has been to me. The merely visible presence of this lad--for he seems to me little more than a lad, though he is really over twenty-- his merely visible presence--ah!
I wonder can you realize all that that means? Unconsciously he defines for me the lines of a fresh school, a school that is to have in it all the passion of the romantic spirit, all the perfection of the spirit that is Greek. The harmony of soul and body-- how much that is! We in our madness have separated the two, and have invented a realism that is vulgar, an ideality that is void. You remember that landscape of mine, for which Agnew offered me such a huge price but which I would not part with? It is one of the best things I have ever done.
And why is it so? Because, while I was painting it, Dorian Gray sat beside me. Some subtle influence passed from him to me, and for the first time in my life I saw in the plain woodland the wonder I had always looked for and always missed. I must see Dorian Gray. After some time he came back. You might see nothing in him. I see everything in him. He is never more present in my work than when no image of him is there. He is a suggestion, as I have said, of a new manner. I find him in the curves of certain lines, in the loveliness and subtleties of certain colours.
He knows nothing about it. He shall never know anything about it. But the world might guess it, and I will not bare my soul to their shallow prying eyes. My heart shall never be put under their microscope. There is too much of myself in the thing, Harry--too much of myself! They know how useful passion is for publication. Nowadays a broken heart will run to many editions. Harmonie, Eintracht, Die Harmonie, Wohlklang. Oscar Wilde 13 "I hate them for it," cried Hallward.
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We live in an age when men treat art as if it were meant to be a form of autobiography. We have lost the abstract sense of beauty. Some day I will show the world what it is; and for that reason the world shall never see my portrait of Dorian Gray. It is only the intellectually lost who ever argue. Tell me, is Dorian Gray very fond of you? Of course I flatter him dreadfully. I find a strange pleasure in saying things to him that I know I shall be sorry for having said. As a rule, he is charming to me, and we sit in the studio and talk of a thousand things.
Now and then, however, he is horribly thoughtless, and seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to some one who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day.
It is a sad thing to think of, but there is no doubt that genius lasts longer than beauty. That accounts for the fact that we all take such pains to over-educate ourselves. In the wild struggle for existence, we want to have something that endures, and so we fill our minds with rubbish and facts, in the silly hope of keeping our place. The thoroughly well-informed man-that is the modern ideal. And the mind of the thoroughly well-informed man is a dreadful thing. It is like a bric-a-brac shop, all monsters and dust, with everything priced above its proper value.
I think you will tire first, all the same. Some day you will look at your friend, and he will seem to you to be a little out of drawing, or you won't like his tone of colour, or something. You will bitterly reproach him in your own heart, and seriously think that he has behaved very badly to you. The next time he calls, you will be perfectly cold and indifferent. It will be a great pity, for it will alter you. What you have told me is quite a romance, a romance of art one might call it, and the worst of having a romance of any kind is that it leaves one so unromantic.
As long as I live, the personality of Dorian Gray will dominate me. You can't feel what I feel. You change too often. Those who are faithful know only the trivial side of love: There was a rustle of chirruping sparrows in the green lacquer leaves of the ivy, and the blue cloud-shadows chased themselves across the grass like swallows. How pleasant it was in the garden! And how delightful other people's emotions were! One's own soul, and the passions of one's friends--those were the fascinating things in life.
He pictured to himself with silent amusement the tedious luncheon that he had missed by staying so long with Basil Hallward. Had he gone to his aunt's, he would have been sure to have met Lord Goodbody there, and the whole conversation would have been about the feeding of the poor and the necessity for model lodging-houses. Each class would have preached the importance of those virtues, for whose exercise there was no necessity in their own lives.
The rich would have spoken on the value of thrift, and the idle grown eloquent over the dignity of labour. It was charming to have escaped all that! As he thought of his aunt, an idea seemed to strike him. He turned to Hallward and said, "My dear fellow, I have just remembered. It was at my aunt, Lady Agatha's. She told me she had discovered a wonderful young man who was going to help her in the East End, and that his name was Dorian Gray. I am bound to state that she never told me he was good-looking. Women have no appreciation of good looks; at least, good women have not.
She said that he was very earnest and had a beautiful nature. I at once pictured to myself a creature with spectacles and lank German chased: Zierlich, delikat, lecker, fein, gelinde, zart. Lack, Lackieren, Firnis, Firnissen, Lacken. Oscar Wilde 15 hair, horribly freckled, and tramping about on huge feet. I wish I had known it was your friend. Dorian Gray is in the studio, sir," said the butler, coming into the garden. The painter turned to his servant, who stood blinking in the sunlight. Gray to wait, Parker: I shall be in in a few moments.
Then he looked at Lord Henry. Your aunt was quite right in what she said of him. Don't try to influence him. Your influence would be bad. The world is wide, and has many marvellous people in it. Don't take away from me the one person who gives to my art whatever charm it possesses: Mind, Harry, I trust you. Hausdiener, Herrenknecht, Kammerdiener, Butler. He was seated at the piano, with his back to them, turning over the pages of a volume of Schumann's "Forest Scenes.
They are perfectly charming. When he caught sight of Lord Henry, a faint blush coloured his cheeks for a moment, and he started up. I have just been telling him what a capital sitter you were, and now you have spoiled everything. Gray," said Lord Henry, stepping forward and extending his hand. You are one of her favourites, and, I am afraid, one of her victims also. We were to have played a duet together- German beg: Verzeihung, Begnadigung, Vergebung, verzeihen, entschuldigen, amnestieren, Entschuldigung. Oscar Wilde 17 -three duets, I believe.
I don't know what she will say to me. I am far too frightened to call. She is quite devoted to you. And I don't think it really matters about your not being there. The audience probably thought it was a duet. When Aunt Agatha sits down to the piano, she makes quite enough noise for two people. Yes, he was certainly wonderfully handsome, with his finely curved scarlet lips, his frank blue eyes, his crisp gold hair. There was something in his face that made one trust him at once. All the candour of youth was there, as well as all youth's passionate purity. One felt that he had kept himself unspotted from the world.
No wonder Basil Hallward worshipped him. The painter had been busy mixing his colours and getting his brushes ready. He was looking worried, and when he heard Lord Henry's last remark, he glanced at him, hesitated for a moment, and then said, "Harry, I want to finish this picture to-day. Would you think it awfully rude of me if I asked you to go away? I see that Basil is in one of his sulky moods, and I can't bear him when he sulks.
Besides, I want you to tell me why I should not go in for philanthropy. It is so tedious a subject that one would have to talk seriously about it. But I certainly shall not run away, now German answered: Aufrichtigkeit, Wahrheitssinn, Ehrlichkeit, Gerechtigkeit. Klavier, Piano, das Klavier. You don't really mind, Basil, do you? You have often told me that you liked your sitters to have some one to chat to. Dorian's whims are laws to everybody, except himself. I have promised to meet a man at the Orleans. Come and see me some afternoon in Curzon Street. I am nearly always at home at five o'clock.
Write to me when you are coming. I should be sorry to miss you. You never open your lips while you are painting, and it is horribly dull standing on a platform and trying to look pleasant. Ask him to stay. I insist upon it. I beg you to stay. Sit down again, Harry. And now, Dorian, get up on the platform, and don't move about too much, or pay any attention to what Lord Henry says. He has a very bad influence over all his friends, with the single exception of myself. He was so unlike Basil. They made a delightful contrast. And he had such a beautiful voice. After a few moments he said to him, "Have you really a very bad influence, Lord Henry?
As bad as Basil says? All influence is immoral--immoral from the scientific point of view. Oscar Wilde 19 "Because to influence a person is to give him one's own soul. He does not think his natural thoughts, or burn with his natural passions. His virtues are not real to him. His sins, if there are such things as sins, are borrowed. He becomes an echo of some one else's music, an actor of a part that has not been written for him.
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The aim of life is self-development. To realize one's nature perfectly--that is what each of us is here for. People are afraid of themselves, nowadays. They have forgotten the highest of all duties, the duty that one owes to one's self. Of course, they are charitable.
They feed the hungry and clothe the beggar. But their own souls starve, and are naked. Courage has gone out of our race. Perhaps we never really had it. The terror of society, which is the basis of morals, the terror of God, which is the secret of religion--these are the two things that govern us. And yet--" "Just turn your head a little more to the right, Dorian, like a good boy," said the painter, deep in his work and conscious only that a look had come into the lad's face that he had never seen there before.
But the bravest man amongst us is afraid of himself. The mutilation of the savage has its tragic survival in the self-denial that mars our lives. We are punished for our refusals. Every impulse that we strive to strangle broods in the mind and poisons us. The body sins once, and has done with its sin, for action is a mode of purification. Nothing remains then but the recollection of a pleasure, or the luxury of a regret. The only way to get rid of a temptation is to yield to it. Resist it, and your soul grows sick with longing for the things it has forbidden to itself, with desire for what its monstrous laws have made monstrous and unlawful.
It has been said that the great events of the world take place in the brain. It is in the German beggar: Gray, you yourself, with your rose-red youth and your rose-white boyhood, you have had passions that have made you afraid, thoughts that have filled you with terror, day-dreams and sleeping dreams whose mere memory might stain your cheek with shame--" "Stop! I don't know what to say. There is some answer to you, but I cannot find it. Or, rather, let me try not to think. He was dimly conscious that entirely fresh influences were at work within him.
Yet they seemed to him to have come really from himself. The few words that Basil's friend had said to him--words spoken by chance, no doubt, and with wilful paradox in them-- had touched some secret chord that had never been touched before, but that he felt was now vibrating and throbbing to curious pulses. Music had troubled him many times. But music was not articulate. It was not a new world, but rather another chaos, that it created in us. How terrible they were! How clear, and vivid, and cruel! One could not escape from them. And yet what a subtle magic there was in them!
They seemed to be able to give a plastic form to formless things, and to have a music of their own as sweet as that of viol or of lute. Was there anything so real as words? Yes; there had been things in his boyhood that he had not understood. He understood them now. Life suddenly became fiery-coloured to him. It seemed to him that he had been walking in fire. Why had he not known it? With his subtle smile, Lord Henry watched him. He knew the precise psychological moment when to say nothing. He felt intensely interested. He was amazed at the sudden impression that his words had produced, and, remembering a book that he had read when he was sixteen, a book which had revealed to him much that he had not known before, he wondered whether German amazed: Fleck, beflecken, flecken, Beize, beizen, Klecks, einflecken, beschmutzen, leicht schmutzig werden, sudeln.
Oscar Wilde 21 Dorian Gray was passing through a similar experience. He had merely shot an arrow into the air. Had it hit the mark? How fascinating the lad was! Hallward painted away with that marvellous bold touch of his, that had the true refinement and perfect delicacy that in art, at any rate comes only from strength. He was unconscious of the silence. The air is stifling here. When I am painting, I can't think of anything else. But you never sat better. You were perfectly still. And I have caught the effect I wanted-- the half-parted lips and the bright look in the eyes.
I don't know what Harry has been saying to you, but he has certainly made you have the most wonderful expression. I suppose he has been paying you compliments. You mustn't believe a word that he says. Perhaps that is the reason that I don't believe anything he has told me. It is horribly hot in the studio. Basil, let us have something iced to drink, something with strawberries in it. Just touch the bell, and when Parker comes I will tell him what you want. I have got to work up this background, so I will join you later on. Don't keep Dorian too long. I have never been in better form for painting than I am to-day.
This is going to be my masterpiece. It is my masterpiece as it stands. He came close to him and put his hand upon his shoulder. Heilung, heilen, kurieren, genesen, Heilmittel, Kur, behandeln, wiederherstellen, gesunden. He was bareheaded, and the leaves had tossed his rebellious curls and tangled all their gilded threads. There was a look of fear in his eyes, such as people have when they are suddenly awakened. His finely chiselled nostrils quivered, and some hidden nerve shook the scarlet of his lips and left them trembling.
You are a wonderful creation. You know more than you think you know, just as you know less than you want to know. He could not help liking the tall, graceful young man who was standing by him. His romantic, olivecoloured face and worn expression interested him. There was something in his low languid voice that was absolutely fascinating. His cool, white, flowerlike hands, even, had a curious charm. They moved, as he spoke, like music, and seemed to have a language of their own.
But he felt afraid of him, and ashamed of being afraid. Why had it been left for a stranger to reveal him to himself? He had known Basil Hallward for months, but the friendship between them had never altered him. Suddenly there had come some one across his life who seemed to have disclosed to him life's mystery. And, yet, what was there to be afraid of? He was not a schoolboy or a girl.
It was absurd to be frightened. You really must not allow yourself to become sunburnt. It would be unbecoming. Oscar Wilde 23 "I don't feel that, Lord Henry. Now, wherever you go, you charm the world. Will it always be so?
You have a wonderfully beautiful face, Mr. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. People say sometimes that beauty is only superficial.
That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.
Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar.
These are the sickly aims, the false ideals, of our age. Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. A new Hedonism-- that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do.
The world belongs to you for a season. The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell German belongs: I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time.
The common hill-flowers wither, but they blossom again.
The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot.
We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. There is absolutely nothing in the world but youth! The spray of lilac fell from his hand upon the gravel. A furry bee came and buzzed round it for a moment. Then it began to scramble all over the oval stellated globe of the tiny blossoms.
He watched it with that strange interest in trivial things that we try to develop when things of high import make us afraid, or when we are stirred by some new emotion for which we cannot find expression, or when some thought that terrifies us lays sudden siege to the brain and calls on us to yield. After a time the bee flew away. He saw it creeping into the stained trumpet of a Tyrian convolvulus.
The flower seemed to quiver, and then swayed gently to and fro. Suddenly the painter appeared at the door of the studio and made staccato signs for them to come in. They turned to each other and smiled. The light is quite perfect, and you can bring your drinks. Two green-and-white butterflies fluttered past them, and in the pear-tree at the corner of the garden a thrush began to sing.
Gray," said Lord Henry, looking at him. I wonder shall I always be glad? That is a dreadful word. It makes me shudder when I hear it. Women are so fond of using it. They spoil every romance by trying to make it German beats: Oscar Wilde 25 last for ever. It is a meaningless word, too. The only difference between a caprice and a lifelong passion is that the caprice lasts a little longer. The sweep and dash of the brush on the canvas made the only sound that broke the stillness, except when, now and then, Hallward stepped back to look at his work from a distance.
In the slanting beams that streamed through the open doorway the dust danced and was golden. The heavy scent of the roses seemed to brood over everything. After about a quarter of an hour Hallward stopped painting, looked for a long time at Dorian Gray, and then for a long time at the picture, biting the end of one of his huge brushes and frowning. Lord Henry came over and examined the picture. It was certainly a "My dear fellow, I congratulate you most warmly," he said.
Gray, come over and look at yourself. I am awfully obliged to you. When he saw it he drew back, and his cheeks flushed for a moment with pleasure. A look of joy came into his eyes, as if he had recognized himself for the first time. He stood there motionless and in wonder, dimly German beams: The sense of his own beauty came on him like a revelation.
He had never felt it before. Basil Hallward's compliments had seemed to him to be merely the charming exaggeration of friendship. He had listened to them, laughed at them, forgotten them. They had not influenced his nature. Then had come Lord Henry Wotton with his strange panegyric on youth, his terrible warning of its brevity. That had stirred him at the time, and now, as he stood gazing at the shadow of his own loveliness, the full reality of the description flashed across him. Yes, there would be a day when his face would be wrinkled and wizen, his eyes dim and colourless, the grace of his figure broken and deformed.
The scarlet would pass away from his lips and the gold steal from his hair. The life that was to make his soul would mar his body. He would become dreadful, hideous, and uncouth. His eyes deepened into amethyst, and across them came a mist of tears. He felt as if a hand of ice had been laid upon his heart. It is one of the greatest things in modern art. I will give you anything you like to ask for it. I must have it. I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June.
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Nanno Kleiterp in gesprek met Marijn Wiersma. Banking for a Better World. A Bark But No Bite: Inequality and the New Zealand General Election. Basic and applied research on deception and its detection. Basic Knowledge and Conditions on Knowledge. La bataille de l'enfance. Eve Kosofsky Sedgwick as a Poet. Bats in the Anthropocene: Conservation of Bats in a Changing World. The Battle For Open: How openness won and why it doesn't feel like victory. The Battle of Konotop The Battle of Shiloh and the Organizations Engaged.
Die Baukunst des Ein bayerischer Kommunist im doppelten Deutschland. Bayesian Methods for Statistical Analysis. Bayesian Methods in the Search for MH Republicanism and Unfreedom in History, Literature, and Philosophy. Beamtentum im Dritten Reich. Essays in honour of Brij V. Beatrijs de wereld in. Vertalingen en bewerkingen van het Middelnederlandse verhaal.
The Beautiful Lesson of the I. The Beaver Hills Country: A History of Land and Life. Becoming a World-Class University: The case of King Abdulaziz University. Becoming Citizens in a Changing World: Becoming Muslim in Imperial Russia: Conversion, Apostasy, and Literacy. Die Bedeutung gliedstaatlichen Verfassungsrechts in der Gegenwart. Die Einheit der Verwaltung als Rechtsproblem. Bedeutung, Gebrauch und sprachliche Handlung. Beerhouses, brothels and bobbies. Before and After Gender. Before and After Radical Prostate Surgery: Information and Resource Guide.
Before the Museums Came. The Fine Arts in the Twin Cities. Before They Were Titans: Essays on the Early Works of Dostoevsky and Tolstoy. Eine Sozial- und Kulturgeschichte des englischen Arbeitsrechts Begriff und Wesen des sozialen Rechtsstaates. Berichte und Aussprache zu den Berichten in den Verhandlungen der Tagung der deutschen Staatsrechtslehrer zu Bonn am Behavioral and physiological bases of attentional biases: Paradigms, participants, and stimuli. Behaviour, Development and Evolution.
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