Through digital and analogue models at a range of scales, this surface emerges as a series of oscillating frequencies of light and texture above the cityscape below. Here, an incredibly rich range of spaces for performance and learning are bound together into a network of programmatic, visual, and haptic links, creating a space of extraordinary experience which extends across the project in its entirety, creating a new datum for movement, connection, and collaboration.
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To a large extent, models that study effort and perception are models of engagement. They model and investigate the characteristics of a project, a site, a natural or urban context, whether they are physical or ideological, concrete or abstract.
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They are the basis for a deep, ongoing connection between ourselves and a building, the foundation for our practice and our work. This relationship and role that the model plays in our practice is perhaps most clear in the recently completed Benedict Canyon Residence, where a methodology of models and making extends to full-scale mockups which are invaluable at engaging issues of effect and experience most directly.
The project is defined by the sinuous, elevated line along which the residence is approached, tracing the length of the site before reversing itself, to reveal the residence, the site, and the degree view of the Los Angeles basin beyond. This trajectory continues through the entirety of the project, linking its multiplicity of programmatic and experiential environments and the three platonic volumes which levitate above the network of movement below. Within the practice, within the office, these models are artifacts, multiplied about the office in many materials, version, scales and sizes, arrayed in a diversity of relationships, adjacencies, and contexts.
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Stacked around the studio, they begin to create a fictive landscape open to reading, misreading, perception, and misperception. In this way, they advance an argument for their non-narrative, non-mimetic role and their related forms of inquiry. In this form, the models have yet another role, beyond their creation, or their relationship to a specific building or design process.
Beyond, it is their autonomous potential, their relationship to a possibility of making and to the potential of a future landscape, city, or building that has not yet emerged which is both important and exciting. You also may like to try some of these bookshops , which may or may not sell this item. Separate different tags with a comma.
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Language English View all editions Prev Next edition 3 of 3. Check copyright status Cite this Title Persistent modelling: Representation Philosophy Summary With contributions from some of the world's most advanced thinkers on this subject, this book looks at new ways of thinking about the digital within architecture. It speculates upon implications of Persistent Modelling for architectural practice, reconsidering the relationship between architectural representation and architectural artefact particularly in the fields of responsive and adaptive architectures.
Philosophy of Architecture (Stanford Encyclopedia of Philosophy)
Contents Machine generated contents note: Design issues of time-based phenomena and the notion of a persistent model: The building and its double: Includes bibliographical references and index. View online Borrow Buy Freely available Show 0 more links Set up My libraries How do I set up "My libraries"? Review This Product No reviews yet - be the first to create one! Subscribe to our newsletter Some error text Name. Email address subscribed successfully.
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