Bach Two-Part Invention No.4 In D Minor Lyrics Jake Shimabukuro ※ afeditamyb.tk Mojim Lyrics
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But emulating a harpsichord touch on the piano is neither good for your technique nor good piano style. I myself had to be trained out of that habit after years of playing Bach on the piano, using Leonhardt as a model. You want a smooth legato for adjoining steps in the flowing sixteen-note motif in the right hand. Use some portato which I always first write as 'potato', hmm in the left-hand eighth notes. It may help to think of your right hand as a violin or flute, and the left hand as a bassoon playing continuo. Obvious, yeah, but I figured clarity wouldn't hurt.
Some persons play too stickily, as if they had glue between their fingers; their touch is too long, because they keep the keys down beyond the time.