A Report on the Afterlife of Culture | Quill and Quire
We prefer cheerleaders to critics. Fortunately, Canadian criticism can boast Stephen Henighan, a persistent thorn in the side of the Canadian literary establishment, but also a fearless and perceptive observer of our literary culture. He prefers a careful reading of texts and authors, and a deliberate analysis of how cultural forces in our society shape the kind of literature we produce.
His new collection extends this thesis, arguing that the unchecked capitalist ethos in our country fosters bland middlebrow writing that, far from being in the first class of world literature, pales in comparison to the innovations of Spanish American and European literatures. The Global Road Movie. Robertson Davies Reconsidered From the Vault: The Snake Crosses the Tracks at Midnight. Cinema, Culture and the Global South. Childhood and Nation in Contemporary World Cinema.
Why Are We 'Artists'? Timothy Findley and the Aesthetics of Fascism.
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- A Report on the Afterlife of Culture;
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- Report on the Afterlife of Culture, A.
Law and the City. Historical Fiction and Changing Ideas of Canada. The Cambridge Companion to the Postcolonial Novel.
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The Fragrance of Sweet-Grass. Latinx Writing Los Angeles. Toward the Geopolitical Novel. The Novel in Africa and the Caribbean since The Global South and Literature.
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In Defence of Theatre. Literature and the Peripheral City. Generation X Goes Global. The Search for English-Canadian Literature. To see what your friends thought of this book, please sign up. To ask other readers questions about A Report on the Afterlife of Culture , please sign up. Be the first to ask a question about A Report on the Afterlife of Culture. Lists with This Book. This book is not yet featured on Listopia.
Jun 07, Nigel Beale rated it it was ok Shelves: Johnson defined the essay as "an irregular, indigested piece, not a regular and orderly performance.
As Professor George Dillon puts it, the essay " Dr. As Professor George Dillon puts it, the essay "attempts to convince the reader that its model of experience of the world is valid. And I agree with virtually none of the ideas contained in them.
Specifically, starting with the big picture: What I think he fails to understand in this, the essential message of his work, is that because Canada is a nation of immigrants who are not asked to melt in a pot, who bring a multitude of histories with them, who view local details with distinctively varied eyes, such notions of salvation are neither feasible nor desirable. Canada lives as much in the imagination as in reality, perhaps more so than with most other countries. A place where the destructive forces of nationalism have, for the most part, been neutered; where citizens can be patriotic with or without fanfare.
Of course economics determines in large part what gets published. In response to Mr. The most lucid pieces, contained in a series of author profiles grouped together in the middle of the book, are those left closest to their original published form.