Conversations is a notable work that deepens our understanding of a jazz legend whose reputation in the United States derived from fragmentary bulletins published infrequently in American jazz magazines.
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It is a knock-out, an omelette aux fines herbes, an impeccable Lacy line of weird angles and implied major seconds. A life of roaming music lessons on stage and in the streets, in museums and at home—compositions all, that most professors have long excluded from their curriculae. No sour grapes nor sentimental journey in this book, just the pure straight dope.
Influenced by Sidney Bechet, he has in turn influenced every player of the soprano. His music has always been very personal, and always in search of new paths. Conversations , the book I always wanted but never had. Conversations also contains rare photographs, scores, liner notes and free-association jottings to flesh out the complete package.
He is the prime example of someone who has fought for artistic integrity. No one was ever more generous or perceptive. Steve opened a lot for me in the most quiet way. Music was only the beginning. Conversations is a fitting tribute to a giant of modern jazz. An interview with The Wire. In the passionate intelligence of his compositions, every note is the sound of freedom.
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For book covers to accompany reviews, please contact the publicity department. Instructions for requesting an electronic text on behalf of a student with disabilities are available here. Conversations is a collection of thirty-four interviews with the innovative saxophonist and jazz composer.
Lacy — , a pioneer in making the soprano saxophone a contemporary jazz instrument, was a prolific performer and composer, with hundreds of recordings to his name.
This volume brings together interviews that appeared in a variety of magazines between and Lacy began playing the soprano saxophone at sixteen, and was soon performing with Dixieland musicians much older than he. By nineteen he was playing with the pianist Cecil Taylor, who ignited his interest in the avant-garde. Lacy played with a broad range of musicians, including Monk and Gil Evans, and led his own bands.
Lacy lived in Paris from until , and his music and ideas reflect a decades-long cross-pollination of cultures. Half of the interviews in this collection originally appeared in French sources and were translated specifically for this book. Jason Weiss is the author of The Lights of Home: He is the editor of Back in No Time: The Brion Gysin Reader. Sign up for Subject Matters email updates to receive discounts, new book announcements, and more. Create a reading list or add to an existing list. Sign-in or register now to continue.
Goodbye, New York Garth W. Faithful Lacy Philippe Carles, 33 6. Twenty-six New Jazzmen Put to the Question 41 7. Improvisation Derek Bailey, 48 9. By nineteen he was playing with the pianist Cecil Taylor, who ignited his interest in the avant-garde.
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Lacy played with a broad range of musicians, including Monk and Gil Evans, and led his own bands. Lacy lived in Paris from until , and his music and ideas reflect a decades-long cross-pollination of cultures.
Steve Lacy: Conversations
Half of the interviews in this collection originally appeared in French sources and were translated specifically for this book. The History of Jazz. Where the Heart Beats. A Natural History of the Piano. The Funniest People in Music, Volume 3: The Funniest People in Music, Volume 2: Dance and Its Audience: Appreciating the Art of Movement. LeRoi Jones Amiri Baraka. No Such Thing as Silence. How Sondheim Found His Sound. The Jazz Bass Book. Keith Jarrett's The Koln Concert. Looking at Contemporary Dance. The Funniest People in Dance: Out of the Cool.
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