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It was from Haydn and Mozart that Bruckner learned the cyclic principle in which the final Agnus Dei recalls material from the earlier movements.


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From his beloved Schubert he acquired lyricism and lush harmony, while his innate sense of the monumental and his grounding in the counterpoint of J S Bach equipped him perfectly to write music on the grandest scale. Liszt and Wagner, also, were influences, the one chiefly in matters of thematic development, the other in melodic and harmonic innovations and the size and use of the orchestra.

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Mass in F Minor - Wikipedia

It was not until the age of forty, when he wrote the D minor Mass, that Bruckner showed conclusive signs of artistic maturity. It had taken an introduction to the music of Wagner to release his individuality.


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From Bruckner had studied under Otto Kitzler, a German cellist and conductor, gaining a thorough grounding in the counterpoint of Palestrina and for the first time hearing some Liszt and Wagner. Then, in , tragedy struck. Bruckner had long suffered from extended bouts of depression, combined with an almost pathological self-doubt and an irresistible impulse to accumulate strings of unnecessary qualifications. He developed the clinical condition of numeromania, a compulsive urge to count objects of all descriptions for no apparent reason.

He was admitted to a sanatorium at Bad Kreuzen where he underwent a course of treatment lasting several months.

Mass No. 3 (Bruckner)

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The Electric Prunes "Mass in F Minor" - Full Album

You must have paid membership or be a no cost-registered participant of the Musicalion web page. These participants also get access to their "intern"'-section. Free sheet music for members. If you have fixed a notation mistake, then we would be grateful if you could inform us as such. Nothing else by the group made it big, and their initial pair of albums was quite erratic, although a few scattered tracks were nearly as good as those singles.

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Although they began to write more of their own material on their second album, their subsequent releases were apparently the products of personnel who had little to do with the original lineup. Their third LP, Mass in F Minor, was a quasi-religious concept album of psychedelic versions of prayers; a definitively excessive period piece, its best song "Kyrie Eleison" was lifted for the Easy Rider soundtrack.

None of the original Prunes were still in the lineup when the band dissolved, unnoticed, at the end of the '60s. Get Me to the World On Time.