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New York, Cambridge University Press, Cultural perspectives on child development. San Francisco, Freeman, Il existe trois points de vue: Questions de recherche Observation et Analyse: Il y a trois dimensions descriptives: Les participants agissent comme des spectateurs sans que personne ne leur dise quoi faire et comment le faire.

Les corps des participants portent des dimensions personnelles, culturelles et sociales. Il a uniquement un centre: Black Cow, White Cow: Drama in Education and Interculturality. The anthropology of theater and spectacle: Annual Review of Anthropology, , pp. My life in Theatre and Politics. Jeux pour acteurs et non-acteurs.

A synthesis, in B. Communication Yearbook, 19 pp. Thousand Oaks, Sage, From personal storytelling to political act,in J. Dialogues on theatre and cultural politics. New York, Routledge, Education for Empowerment in a Diverse Society. Basic Books, New York, The Presentation of Self in Everyday Life. Encounters, Twostudiesin the sociology ofinteraction. A passage to anthropology. Between experience and theory. Londres et New York,Routledge, Education of staff in Adult Education: Athnes, Institute of Labour, The Anthropology of Emotions. Annual Review of Anthropology 15, , pp.

Who calls the shots? Mytilini, University of the Aegean, NewBorder, Athens, Livanis, Between Theater and Anthropology. Philadelphia, University of Pennsylvania Press, Empowerment through Multicultural Education. The Anthropology of Performance. La transition peut-elle nous rendre heureux? Selon Seligman , le plaisir est le premier niveau du bonheur. Quels sont les processus de transition?

Pusch , Fowler et Blohm Sans ambition de dresser une liste exhaustive, voici certains Comme tel, il offre une responsabilisation. Tout cela apparait dans les deux processus. Je rappellerais ici trois de ces raisons. Strategies adopted when identity is threatened. Revue Internationale de Psychologie Sociale.

The perception-behavior link and social interaction. Journal of Personality and Social Psychology, 76, pp. Paris, Robert Laffont, Chicago, The University of Chicago Press, An analysis of methods for intercultural training. Landis et al eds. Handbook of Intercultural Training. Theorizing About Intercultural Communication. Thousand Oaks, CA, Sage. The Construction of a Personal Position Repertoire: Method and Practice Culture and Psychology 7. Feeling Comfortable With Strangeness. Cultures et organisations - Comprendre nos programmations mentales.

Editions Pearson Education, Adapting to a New Culture: An Integrative Communication Theory In: Wong and Lillian C. International Journal of Intercultural Relations Development and validation of a measure of intercultural adjustment potential in Japanese sojourners: International Journal of Intercultural Relations, 25, , pp.

The body as place — reflexivity and fieldwork in Kano, Nigeria. Eds Places through the body. Londres, Routledge, , pp Intercultural Training in Historical Perspective. New York, Free Press, The primacy of the interpersonal self. Aux origines de la cognition humaine, Paris, Retz, The psychology of culture shock. The A, B, Cs of Acculturation. New York, Oxford University Press, The U Curve on Trial. International Journal of Intercultural Relations. De quelle aide aurai-je besoin pour les faire respecter? Une fonction de socialisation.

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Communiquer avec les autres personnes. The Imaginary Institution of Society. Downlowded 21 june, A View from Psychoanalysis and Developmental Psychology. Feminist Theory December , pp. Cette proposition avait un double objectif: Une proposition plus abstraite a suivi: Avant de parler, nos corps se racontent des histoires sur ce que nous voulons, ce que les autres veulent. Pour cette raison, cela faisait sens pour nous de commencer notre session de communication avec le corps. Theses activities has been implemented from to in the suburbs of Rome and we are now trying to implement similar projects in Palestine, together with the Palestinian Minisitries of Education and Cutlure.

The key focus of the activities of MusicaEuropa are music and arts for professionally targeted musicians, but also as a formative artistic activity of fundamental importance for a better developement of modern society. MusicaEuropa is a non-profit association operating in the fields of arts and education, safeguarding the ancient mediterranean musical heritage and implementing international projects to promote music as a tool for intercultural dialogue. Project managed by MusicaEuropa include: In , thanks to Damiano Giuranna, Alexander Sasha Karlic and other important personalities of the musical world, MusicaEuropa started a research study and to disseminate the music repertoire of folk and traditional music of the Mediterranean basin.

This Festival focused its 7-years activity on creating a real exchange between northern and southern Europe, on developing the concept of cultural integration, offering young music students important opportunities of quality training and concrete possibilities of professional growth. The World Youth Orchestra gathers young students from 16 to 28 years, coming from the best music academies, conservatories and universities of the five continents.

The activities include high-level trainings, music master classes held my well known music professors and musicians, participation to international musical events, tours and concerts all over the world. All these activities foster intercultural dialogue, integration and mobility of youth, multi cultural coexistence through formal and informal education thanks to the universal language of music.

More than students from 48 countries have played in the orchestra. In MusicaEuropa created a long term project for the peace and dialogue in the Mediterranean: Another project managed by MusicaEuropa and implemented between and in the suburbs or Rome is the "Arthmos Project", a social project for underprivileged children, promoting the artistic education in primary schools with a high percentage of children with fewer opportunities social obstacles, educational difficulties, economic obstacles and cultural differences.

Safeguarding the intangible heritage through the research on ancient traditional Mediterranean music in the Middle East, in northern Africa and in Europe, has been possible thanks to a series of contributions and influences from the professionals working with MusicaEuropa and various collaborations with leading personalities of the world of music such as Alexander Sasha Karlic, Robert R. Holzer, Nader Jalal, Issa Boulos. Damiano Giuranna committed himself to the research of the ancient musical Mediterranean heritage following the teachings of Alexandar Sasha Karlic and Moni Ovadia.

During 15 years of activities he has gathed hundreds of songs and instrumental music in Turkey, Jordan, Palestine, Israel, Tunisia, Algeria and Morocco. He has studied also the ancient Sephardic music in Spain and Greece. The execution of these compositions has been performed in many countries, giving a concrete contribution to the safeguarding and widespreading of a precious musical heritage.

The "Arthmos Project", was a social project for underprivileged children, promoting the artistic education in primary schools with high percentage of children with fewer opportunities social obstacles, educational difficulties, economic obstacles and cultural differences. MusicaEuropa in the past years has managed different projcet which had the aim to create a spirit of mutual respect and collaboration. The "Arthmos Project", a social project for underprivileged children, promoting the artistic education and the ancient Mediterranean.

Social activities like art and music stress the importance of the interpersonal relation leading to a better listening of the other and thus the developing a feeling of brotherhood. In accordance with the Art. MusicaEuropa organizes annual workshops, advanced training and high-formation courses for young musicians from all over the world. The Association has promoted and organized courses dedicated to schools of every grade in Italy and in several countries in Europe and the Middle East, focusing in particular on the ancient traditional music of the Mediterranean area with a particular attention on the influences, on the different styles, on the structure, on the performing techniquest with a deep work of research.

A particular significance has been given for these events by the participation of the community, helping to raise the awareness amongst individuals and groups of people on the wonderful musical intangible heritageof the Mediterranean basin and particularly on the ancient folk Mediterranean music. This shared by the community participation has passed knowledges and a great strenght capable of transmitting the artistic cultural heritage.

The exchange of information and experiences among young people has been an important element for these project and a fundamental value for Musica Europa, in accordance with the Paragraph N. Learning from the knowledge of the other is a way to enrich one own's cultural background and therefore a way to preserve and transmit the cultural heritage. The purpose of the Azerbaijani Carpetmakers' Union is the safeguarding of the Azerbaijani national carpetmaking and handicrafts, their development and popularization in the world.

The Union helps to learn and form the public opinion about carpet-making art, legal rug products, and it also helps the stimulating of the raising of the creative work mastery of the physical persons, popularization of quality and special signs of our national culture and handicrafts to determine various examples of carpets and also helps theirs popularization and demonstation in Azerbaijan and the world.

The NGO collaborates with local and international organizations of carpet-making art, including museums and also with legal and physical persons, as well as the state agencies. The Unity organizes different trainings and workshops, round tables and meetings, exhibitions, charitable fundraising, conferences, other cultural and other mass measures; dissiminates information about purposes and activities, publishes print materials. The Carpetmakers' Union organises regular trainings in technique of pileless carpets at the the Museum of the Azerbaijan carpet.

Communities of carpet weavers demonstrate the works at various exhibitions. So, in the national competition-festival of carpets in various zones of the country was organised.

In , works of national weavers were shown in one of the Days of the Azerbaijan culture in Basel. Besides, the following national laws were adopted: In , , and , three international symposiums of the Azerbaijan carpet were organised in Azerbaijan. In 4th symposium devoted to the anniversary of Ljatif Kerimov took place in UNESCO headquarters in Paris where the exhibition of artists works also was organised.

Among large publications of carpet protection for last decade: Kerimov and Materials of 4th symposium about the Azerbaijan carpet.

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Many last projects have been connected with efforts on revival of carpet art. In 14th of September, has been spent the round table and a master class "Not varying values of varying time" with the assistance of carpet — wavers, artists on carpets, collectors and businessmen, and also fans of carpet art.

It has been shown a collection of clothes with use of carpet patterns of young designer Minary Kulieva, works of the master on embroidery art with use of a carpet thread of Shahla Askerova, etc. On 17th of November, , on the day of birth of the great artist on carpets, masters, scientific Ljatif Kerimov has been opened the exhibition of professionals and masters is national-applied art "The art Bridge, the leader from the past in the future".

On 18th of May, has opened the exhibition of tapestries "Tapestries: On 10th of May, has been opened the exhibition of the Union's member Mr. In March, has been opened the exhibition of masters on national-applied art was devoted to a holiday of Novruz. Since the Carpetmakers' Union has started to carry on negotiations with similar international communities in Uzbekistan, Turkmenistan, in Russian Federations and in Islamic Republic of Iran. Result of negotiations was the opening of an exhibition of masters of people-applied art of Uzbekistan which has been opened together with "Fund-Forum of culture and art of Uzbekistan", Associations of Antiquaries of Uzbekistan "Meros" which will proceed in the autumn opening of an exhibition of the Azerbaijan masters in Tashkent, also opening of an exhibition of carpets on the basis of pictures of the National artist of Azerbaijan and Russia Tahir Salahov.

The Carpetmakers' Union plays the main role of creating intangible cultural variety of the local communities, groups and various persons. In this way the Union supports to enrich cultural variety, protect non-material cultural heritage especially among young generation. It carries out monitorings for the learning cause and effect in the material and technical direction, prepare the activity program in the direction of restoration of the technologies defining on the basis of getting results of the sensible and forgotten kinds of the carpet-making art.

In in Guba, Khachmaz, Gusar, Shabran, Siyazan the Union carried out the survey about modern situation of the carpet-making art, in in the result of analysis of the surveys compile the plan of monitoring and in Guba unity have been organized the exhibition from the works of the carpet-makers and masters of applied art.

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In there were surveys about carpet-making art in the west zone of Azerbaijan. The same problem is connect with various kinds of art embroideries. It is about the propaganda the ancient kinds and names of embroideries art among the young generation. Once in a month the Union organize the meetings with craftsmans in the various handicrafts of people-applied art and investigate their problems. Carrying out the work among different adults , the Union learns their interests to various kinds of applied art and organize different groups.

It was established to highlight the oral intangible cultural heritage from the region and to revitalize by stimulating oral storytelling, shedding knowledge of fairy tales, legends and folktales and to safeguard the narrative traditions of the Land of Legends which is three municipalities in this region of Sweden. These three parts have all the same goal, to highlight and safeguard our oral traditions, this is being done by: At the museum but also in schools. We are holding courses for youths and adults who want to learn, and also have two university courses at the museum together with the Gotland University.

Since , every year we have had a storytelling festival, which is local, national and international. At the festival we host a Nordic youth camp for the next generation of storytellers. We are trying to highlight different kind of storytelling traditions, we highlight the romany tradition.

The Land of Legends: This has been done by; road signs, maps, story cabinets at the actual place the cabinets consist of a story that the visitor can read in Swedish, English or German, a painting which is connected to the story , an app you can listen to the story in your phone instead of reading if you like geocaching, performances, activities and excursions. Every summer we do a summer program in The Land of Legends, with performances open for the public. Storytelling is a performing art, we do plenty storytelling from stages, at theathers and festivals.

Several books have been published with the old tales but also with the new stories that we have collected today. We work with different kinds of projects: The network is active in the work that is now taking place in Sweden of implementing the Convention with the Institute for Language and Folklore. Examples of groups we are working together with: Individuals — at our website everyone can download their own stories done by calling a number and telling your story At the festival we always have some telling of life narratives. Minority groups — we have highlighted storytelling traditions belonging to groups that unfortunately have been overlooked in history, for example Romany and Sami.

Together we have done many projects, and helped them at several places to highlight their legends and stories connected to places where they operate. NGO for traditional handicraft — connected to the making of handicraft are several stories and tales. We work together with the traditional handicraft association to bring forward these stories. We co-operate around storytelling, doing performances at the museums. The municipalities give founding to our work yearly Authorities — for instants: Main objectives of the Organization: Rediscovery and promotion of the intellectual and traditional knowledge of the Igbos relating to its traditional medical knowledge and practices; 2.

Protection of the masquerade and oracular prophetic practices of the Igbos, Wawa people as they extend in Nigeria, Ghana, Cote d'lvoire and Senegal; 3. Defense and sustenance of the natural and customary practices of the indigenous African people under the context of foreign religion and globalization which exterminate the population's social and economic existence; 4. Sensitization of the intellectual class in Africa on the issues that border on African intellectual property and folklore; 5.

Research and publications on African intellectual and folklore history and issues by collating end reports of conferences and workshops. Poverty reduction programs to ensure environmental and economic sustainability for the Wawas in 19boland spread through the four West African states; 7. Designing relevant programs that will impact positively and contextualize the millennium development goals in the lives and customs of the Wawas in 19boland, especially those in tension soaked Niger delta of Nigeria.

Poverty reduction programs to ensure environmental and economic sustainability for the Wawas in Igboland spread through the four West African states; 7. Designing relevant programs that will impact positively and contextualize the millennium development goals in the lives and customs of the Wawas in Igboland, especially those in tension soaked Niger delta of Nigeria.

We have embarked upon documentation and profiling of the intellectual properties and folklore of the Wawa people of West Africa with a view to seeking legislative and copyright protection of these activities, previously undocumented; 2. Publication of well researched articles and books on Wawa indigenous people that will itemize the various cultural properties and rights of the people to sensitize the world and national governments on the areas which are threatened with distinction.

Organizing workshops and attending global fora of world indigenous peoples to present the perceived areas of injustice and marginalization which have threatened them with extinction and permanent dislocation in the geography of their present locations in West Africa. Collaboration with all other individuals and organizations which promote and defend the intellectual property and folklore of indigenous people worldwide with a view to exchanging information and visits from other parts of the world; 5.

Making representation to governments in the four West African countries to recognize and adopt best practices and conventions on world indigenous intellectual rights and properties. Policy advocacy on curriculum change, legal reform and cultural promotion of the intellectual property of the Wawas and Igbos in West Africa. Founded in , the Center for Traditional Music and Dance, one of the US'premier traditional arts organizations, is dedicated to maintaing the vibrancy of the performing arts traditions of ethnic and imigrant communities through grass-roots community organizing, research-based educational programming and public performances.

Since its founding in , CTMD has produced over major presentations including concerts, festivals, tours, CD and fim series, and lectures. Materials gathered by CTMD staff, folklorists, ethnomusicologists and community cultural sepcialists are the basis for subsequent articistic presentations and educational programming. The collection includes audio and video recordings, photographic documentation and related ephemera on CTMD's presentations and programs.

A monthly eNewsletter provides news, events and informatin about NY's traditional music and dance scene.

While CCIs are deeply grassroots and NY-based, they produce ripples that can extend nationally and even internationally. In the s, CTMD's project to document and present Jewish klezmer music helped spark a workd-wide revival. In the s, CTMD helped form the renowned all-women's ensemble Cherish the Ladies which ispired huge interest amongs women across North America ane even Ireland in performing Irish music previsously a male-dominated activity.

En tant qu'association sans but lucratif, il poursuit un triple but scientifique: Pourquoi et comment sauvegarder et promouvoir les chants et traditions maritimes? CHDA is an international Non-Governmental Organization NGO dedicated to the reservation, management and promotion of cultural heritage in Africa through a programme of training and development support services.

However, from it increased her activities to encompass the conservation of both movable, immovable and intangible heritage assets. CHDA is mandated to Organize, co-ordinate and develop viable projects and activities for heritage and museum development in Africa, such as the post-graduate diploma course in the care and management of heritage and museum collections in sub-Saharan Africa, in collaboration with the University of Nairobi and University College London, and the Africa program.

In many programs, CHDA invites expert resource persons and also teaching assistants, who use the opportunity to understudy the expert trainer on their way to becoming expert trainers in their own right. These professionals, many of who went on and acquired further qualifications, became part of the CHDA network of heritage professionals, a pool of experts that CHDA draws on for its professional training needs, as resource persons, facilitators and program coordinators in case of need. It is important to note that the network has experts in most of the different aspects of heritage management, including tangible, intangible, movable and immovable heritage.

They also have loyalty and commitment to CHDA, having come through it in the development of their professional careers. A few of the programs CHDA has undertaken in the past and which had a direct bearing on intangible heritage management included: Endangered Heritage Assets Program EHAP This program was undertaken by CHDA in successfully sought to identify, document and disseminate the tangible and intangible cultural heritage of the Mijikenda people of the Kenyan coast, especially those that are threatened with extinction.

The three-year en-compass project The project began in October and is on-going. It brought together participants from China, England, Guyana, and Kenya with the remit for Anglophone Africa The program looked at issues related to the dangers and challenges faced in the protection of intangible and tangible cultural heritage in all participating countries.

The program activities also included a workshop to scope and audit key tangible and intangible heritage resources, including cultural expressions, products and services in each partner country. These in-country workshops provided a focus and momentum for long-term on-going scoping and auditing activities post training. However, the information and material gathered through the scoping exercise was also fed onto a database, used to create the online and published catalogues- this process is still on-going.

The project also intends to create an inventory of cultural heritage resources Tangible and Intangible , including those at risk in the short-term from the scoping exercise undertaken in each of the three partner countries. The catalogue of cultural heritage assets both tangible and intangible collected will be researched and used to design and develop a travelling exhibition that will go around all the participating countries. This course had a whole unit dedicated to "Indigenous knowledge systems and community involvement", which is basically training in intangible heritage of communities.

Africa Courses CHDA hosted the 3-month Africa courses for , , , , and One of the issues Africa program addressed was the issue of insufficient human resources and capacity for management, conservation, and maintenance of immovable heritage properties on the continent, using traditional methods and materials.

This means that traditional methods, knowledge and skills, which are basically intangible heritage assets, were being mainstreamed in the program, in a participatory approach involving local communities in the conservation planning and management processes. For example, the field projects aimed to establish self-confidence within the local custodians and to enhance their recognition as efficient professionals. The project also worked to integrate traditional techniques in conservation of monuments resulting not only in monuments that are responsive to local environments, but also to the sustenance and promotion of traditional skills - the intangible heritage within the local communities.

The aims of the course was to produce professionals who can record Intangible Heritage appropriately and to enable trainees effectively apply methodologies, standards, and equipment for recording Intangible Heritage. The main course objective was to enable participants to record Intangible Heritage using digital and video cameras in line with laid down standards and procedures as provided in the course. These are just a few of the courses that CHDA has implemented.

For this matter, community participation has always been incorporated into the programs CHDA offers its participants - either by making it part of the teaching learning content or by inviting community members as participants in training programs to exchange issues with professionals, learn from and teach them and to create networks for future exchange. In the last training that CHDA held in Zimbabwe on Risk Preparedness for Heritage properties between 6th and 18th May for example, two community members were invited as participants to help build an understanding among professionals on the traditional approaches to risk management of the Great Zimbabwe, as well as to help us understand the community needs and expectations from the professionals in their professional work of management and conservation.

Dispone de una revista cientifica propia: Dentro de las actividades del Centro que abarcan campos muy diversos: Si vous voulez plus d'information vous pouvez consulter notre site web: The Centre for Sport Culture CSC, formerly Vlaamse Volkssport Centrale - a non profit organisation - was established for the study, promotion and safeguarding of traditional sports and games.

The roots of the CSC lie in an extensive research programme Katholieke Universtiteit Leuven on the history and the current situation of traditional games in Flanders the Dutch speaking part of Belgium , started by prof. R Renson in The unexpected richness and variety of traditional games lead to the foundation of the CSC in order to promote this endangered sporting heritage and to get people acquainted again with the traditional games. The mission of the CSC states that the CSC must be a centre of expertise in safeguarding the intangible heritage of the traditional and modern movement culture in vivo and in situ via identification, documentation, research, protection, handing down, revitalizing … on a national and international level.

Gradually the CSC broadened its scope to a European and even a worldwide scale.

On a European level the CSC carried out a lot of demonstrations of traditional games abroad and invited traditional games practitioners from many countries to Belgium for demonstrations and exchanges. The activities worldwide concern mainly research, publications, the gathering of documentation and exchange of information. From onwards, the CSC committed itself, together with Sportmuseum Vlaanderen Sports Museum Flanders to realise the Sportimonium-project, a museum about the sports history of Flanders in its national and international context.

Especially as traditional games are concerned, both the tangible artefacts and intangible loan service, games park —see further aspect of the sporting heritage is taken into account. The Centre for Sport Culture CSC has launched a variety of initiatives for safeguarding the tangible and intangible heritage of traditional games and sports: Research - In collaboration with the Katholieke Universiteit Leuven, the CSC carries out research on traditional games inventory, evolution, organisational structure,..

For enquiries the centre calls upon the traditional sports federations for collaboration. Documentation centre and library open to the general public - ca. This collection has been handed over to the Sportimonium in In this museum one of the sections is entirely dedicated to traditional games worldwide.

Therefore the visitors can get acquainted with the skills of a variety of traditional games which are still practised locally in Flanders. As the future teachers and sport administrators they are invited to the Sportimonium in order to sensitize them and to get them acquainted with traditional games. Counselling and support - supporting festivals organized by the traditional games players - helping clubs, federation and their individual members in research matters - counselling associations or federations for candidatures for the Belgian list of elements of intangible heritage - participation in governmental assessment committees cultural matters - collaboration with Unesco project on traditional games , platform for traditional games worldwide The staff of the CSC has almost 30 years experience in safeguarding traditional games.

The staff members 3 have university degrees and have followed in the course of years many courses related to the safeguarding of intangible heritage. The CSC is in close contact with other organisations in the country taking care of popular culture in order to exchange experience. The same goes for engagement in the international network of the European Association for Traditional Sports and Games, of which the CSC has been among the pioneers. Due to these constant contacts, on the one hand with the practitioners of traditional games and at the other hand with professionals working in the fields of culture, sport and tourism the personnel of the CSC has acquainted its competences.

The CSC has established over the years good contacts with many practitioners and their clubs and federations. The CSC has been instrumental in helping the clubs to get in contact with each other and to found if appropriate federations of their own. This resulted in in the foundation of a confederation for traditional games Vlaamse Traditionele Sporten vzw, VlaS with the CSC as one of the founding members.

This confederation grew steadily from to The CSC is member of the board of directors of VlaS and vice versa, firstly in order to be well informed about each other activities and initiatives, secondly to collaborate where appropriate. While constructing the traditional games park, there has been close cooperation with practitioners in testing and adapting the facilities in full respect with the games while using — if possible - modern materials.

One of the CSC objectives is to make the bearers of the intangible heritage, i. This must lead to an enhanced self-consciousness towards heritage in order to hand it down and to defend it. Important for the CSC remains, furthermore, exchange and collaboration with other organisations experienced in the domain of popular culture and in safeguarding intangible heritage.

L'objectif de la Section nationale tcheque du CIOFF est de developper une activite de coordination concernant les questions de conception, de conseil et d'organisation, mais egalement pour mettre en oeuvre les missions et les objectifs fondamentaux du CIOFF. Son but est de promouvoir, d'elargir et de maintenir la forme traditionnelle de la culture populaire immaterielle, notamment des activites artistiques, des coutumes et traditions.

Grace a un perfectionnement systematique des methodes, elle oeuvre pour I'amelioration de la qualite artistique et logistique des festivals de folklore internationaux et d'autres manifestations consacrees a la presentation du patrimoine immateriel en Republique tcheque et a I'etranger. Elle cherche egalement a soutenir I'echange de connaissances et d'experiences entre les organisations, associations et individus au niveau national et international en contribuant ainsi au maintien d'une partie du patrimoine immateriel.

L'adhesion a la section est ouverte a tous les organismes, organisations, institutions, associations, festivals de folklore, personnes et professionnels actifs dans Ie domaine de la culture traditionnelle et populaire en RT et embrassant ies objectifs fondamentaux du CIOFF, ou a ceux qui manifestent I'interet pour la culture traditionnelle et populaire de fayon constante et efficace.

La qualite de membre est obtenue par selection i'entree d'un nouveau membre est conditionne par I'accord de tous les organes de la section nationale et peut etre ordinaire, associee et honorifique. Sont membres de la section: Les membres associes peuvent etre des organismes, organisations, institutions, associations generales ou folkloriques, festivals folkloriques ne beneficiant pas du statu! CIOFF, formations folkloriques, professionnels individuels et experts dans Ie domaine de la culture traditionnelle et populaire qui demandent aadherer selon les conditions orevues dans les statuts.

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  • LernSKRIPT PERSONALMANAGEMENT zur Prüfungsvorbereitung der IHK Prüfungen zum Fachwirt, Betriebswirt und Technischen Betriebswirt: PERSONALMANAGEMENT (German Edition).
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  • ;
  • La qualite de membre honorifique peut etre accordee aux personnes identifiees et aux professionnels ayant des merites specifiques quant au maintien et la sauvegarde et du developpement de la culture populaire traditionnelle, sur proposition d'un membre ordinaire ou associe de la section. C'est l'Assemblee generale qui prend la decision.

    La Iiste de tous les membres tcheques du CIOFF festivals, institutions, ensembles, associations et individus figure a I'annexe au point 8. La section a ete fondee pres I'lnstitut de la culture populaire aStraznice qui est I'organisateur d'un Festival folklorique international de renom. Son secretariat continue a etre base pres de cet Institut. A I'heure actuelle, elle parlicipe a la preparation d'autres nominations sur la Liste representative du patrimoine culturel immateriel de I'humanite Vesnicke masopustni obchuzky a masky: Tours et masques de carnaval aHlinecko et Jizda kralu: Elle collabore a la mise en oeuvre du projet Depositaire de la tradition de I'arlisanat populaire.

    Elle constitue Ie defi ethique et professionnel permanent quant au niveau de la presentation de la culture traditionnelle immaterielle lors des festivals de folklore en procedant aleur evaluation et en choisissant avec attention ses membres ordinaires et associes. Through its activities the organization aims for the following main objectives: The enumerated in point 5 objectives of the organization are realized by: All our work is related with different folklore ensembles, choreographers, musicologists and people who make efforts to revive Bulgarian traditions and folklore which nowadays are put aside.

    At the National reviews our jury of specialists meets more than collectives, evaluates their qualities and their art. The Section communicates with those groups as to organize participation for them in different Festivals and Folklore events all over the world. We assist concerts and presentations of those ensembles. For better communication with all those collectives from different parts in Bulgaria the section collaborates with 24 choreographers who are responsible for particular regions of the country. Meetings with those coordinators are organized frequently and any needed and important information is given to them.

    More than choreographers from the country take part in the annually organized seminars of the choreographers in Bulgaria. At those events are discussed different problems related with the folklore and its popularization. In many of our activities we co-operate with the Ministry of Culture, with the Union of the cultural clubs in Bulgaria, and with different organizations working in the cultural domain. During the organization of the Festivals in Sofia and Veliko Tarnovo we co-operate with a lot of people who have experience in the folklore sphere in order to choose groups of a great quality fot the Festivals and to present them our traditions in best way.

    Le mouvement des jeunes: En se basant sur les principes de: La culture traditionnelle un moyen de Communication M. Tsenka Ivanova and Dr. Svetlozar Vlaykov - Intern. Svetlozar Vlaykov — Intern. Les festivals invitent et font la promotion des peuples minoritaires et autochtones. Mention du Copyright concernant les photos et textes du site Infolien 9 juillet Focus sur certains artistes.

    Niveau certes universitaire support de cours, TD.. Site de Jean-Philippe Perrot. Tous les textes rimbaldiens en ligne. Informations sur les produits et les producteurs. Plan du site Glossaire Infolien avril Le photographe Joan Fontcuberta. Deux sujets plus traditionnels: Second axe du site: Infolien 31 mai Petit dictionnaire des faux amis. Histoire de la Commune: Infolien 7 juillet Infolien 21 janvier Liens vers des ressources. Infolien 23 mai Complet, Infolien septembre Site de Denis Bellemare: Liens avec de nombreux plans. Un site remarquable de cartes historiques.

    Site de Guillaume Balavoine, cartographe. Des extraits sonores lus par Lambert Wilson. Identifier les arbres du Canada. Site personnel de Gilles G. Un choix de citations et de plus de auteurs. La grande carte du blues: Histoire de la ville de Colmar. Articles et travaux divers. Site en anglais et en polonais. Photos et documents en ligne. Polish military resistance movement at Auschwitz: Une famille de pionniers.

    Forthcoming issues

    Un oeil nouveau sur le monde. Extraits du journal de la Commune. Commission de Topographie des Gaules. La Commission de Topographie des Gaules: Site sous licence Creative Commons. Pour notre formation professionnelle. Infolien 21 avril Les grands journaux satiriques. Dossier philosophique sur Jean-Jacques Rousseau. Informations sur le site de la Dane: Un dossier en images sur les illustrations originales de Huit des voyages extraordinaires de Jules Verne chez Hetzel.

    Infolien 26 novembre Il regroupe plus de critiques et extraits de livres. Avec pour chacun des titres: Infolien 20 octobre Rubrique aide en construction. Un moteur interne facilite la recherche. Infolien 9 mai Le catalogue regroupe plus de Site personnel de Pierre-Yves Vaucher. Recherches par un sommaire , par un moteur. Coup de coeur juin Plateforme mise en ligne par la BBC qui propose plus de 16 effets sonores, libres de droits. Infolien 25 janvier Bibliographie mise en ligne au format.

    Voir aussi leur sitographie. Index des auteurs et anonymes Recherches possibles aussi par rubriques: Plusieurs modes de consultation sont disponibles: On a le droit de les lire, de les copier, de les redistribuer, de les modifier librement. Elle est consultable en ligne sur toutes les plateformes smartphones, tablettes, liseuses…. Certaines parties du site sont en anglais. Nombreux dossiers documentaires dans la rubrique en savoir plus.

    Chaque fiche bibliographique identifie le type de support: On peut aussi utiliser le moteur de recherche. Interventions en milieu hospitalier, dans les maisons de retraites.

    L’ART DE L’ADAPTATION: Manuel d’outils artistiques pour migrants by Artemisszió Alapítvány - Issuu

    Infolien 20 avril Le site officiel de Billie Holiday en anglais Biographie, chronologie, albums, photos. Les comptes Twitter et Facebook. Photos libres de droits pour une utilisation restant gratuite. Plusieurs modes de recherches avec filtrage. Infolien 26 octobre Appel au soutien et aux dons.

    Chroniques sur les parutions discographiques, interviews, dossiers, portraits. Interviews et articles de fanzines ou autres publications. Cinq rubriques organisent le portail: Infolien 31 octobre La Chute des anges rebelles. La Tour de Babel. Les Trois Soldats Massacre des Innocents - Infosite juin maj en Infolien 16 juin Le fil du BBF Rubriques: Site du bureau International du droit des enfants. Pages sur les droits des enfants et les derniers rapports des audiences du Tribunal International des droits des enfants.

    Modules sous licence Creative Commons by-nc-sa v2. Curation et droit Travailler sur les unes de journaux. Infolien 21 mars Les blogs et les forums. Photobiographie, bibliographie, chronologie, quatre films historiques. Informations sur les expositions.

    Calendrier en fichier PDF. Objectifs des trois modules: Biographie et chronologie de Camille Claudel. Coup de coeur novembre Amusante rubrique des cartes insolites: Le concept de cartes mentales. Autres usages professionnels des cartes mentales. Mise en oeuvre des cartes mentales. Les limites des cartes mentales. Infolien 2 mai Les atlas et fonds de cartes en ligne. Plusieurs rubriques organisent les informations: Chronologie sur sa vie et son oeuvre. Site de cette auteure. Livres, portfolio, biographie, bibliographie, lectures publiques et rencontres.

    MAJ 14 avril Informations pratiques pour les visites. Infolien 5 novembre Galerie photographies, dessins, objets.. Reprise de textes ou de graphiques dans un cadre marchand avec droits de reproduction. Toute utilisation commerciale est exclue. Expositions permanente et temporaire. Le Centre de documentation. Annuaire de liens utiles. Visite virtuelle de certaines collections. Infolien 14 mars Les rencontres et lectures. Aides et commissions Ressources: Site de ce centre ouvert en Des topics sur Scoop.

    Les contenus sont en Creative Commons. Le site propose aussi une dizaine de topics sur Scoop. Dessins du jour et archives. Photographies, cartes et plans. Pour les lieux et sites: Dossier sagascience du CNRS. Pas de moteur de recherche. Plusieurs modes de recherches: Aux sources de la calligraphie. Infolien 23 novembre Les feuilletoirs dans Gros plans: Site officiel de Christian Grenier.

    Site officiel en anglais des artistes Christo et Jeanne-Claude. Quiz facile et expert. Infolien 8 novembre Site de Serge Mehl. Our Reference tab includes: Centre de ressources reposant sur trois axes: Sur le portail culturel Evene du Figaro. Informations sur les appareils, les formats, les fabricants avec des illustrations. Le service des collections documentaires: Balenciaga, magicien de la dentelle.

    Cependant le Plan du site offre une vision globale des ressources et services rendant plus accessibles les contenus. Les innovations technologiques dans le domaine des fibres textiles. Sur TV5monde, visites virtuelles de 24 villes du monde: Infolien 10 janvier Liens avec les programmes scolaires en vigueur en par niveau et par discipline. Infolien 23 octobre Plan du site Contenus sous licence creative commons.

    Coup de coeur avril Infolien 22 avril Le centre de documentation du Cnac, catalogue en ligne.