Guide Bach’s Cycle, Mozart’s Arrow: An Essay on the Origins of Musical Modernity

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Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity

Don Giovanni and Faust 7. Between Utopia and Melancholy: Books Digital Products Journals. Disciplines Music Classical Music. About the Book In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: In its argumentative brilliance, Berger's approach enhances our aesthetic pleasure in listening to music.

Berger is unique; there is something uncanny about his powers of synthesis and his quality of insight.

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Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity 4. In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: Until this historical moment, as Berger illustrates in his analysis of Bach's St. Matthew Passion, music was simply "in time.


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But after the shift, as he finds in looking at Mozart's Don Giovanni, the experience of linear time is transformed into music's essential subject matter; the cycle of time unbends and becomes an arrow. Berger complements these musical case studies with a rich survey of the philosophical, theological, and literary trends influencing artists during this period. Hardcover , pages. An Essay on the Origins of Musical Modernity. To see what your friends thought of this book, please sign up. To ask other readers questions about Bach's Cycle, Mozart's Arrow , please sign up.

Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity by Karol Berger

Be the first to ask a question about Bach's Cycle, Mozart's Arrow. Lists with This Book. This book is not yet featured on Listopia. Jul 07, Carol rated it really liked it Shelves: This sophisticated book makes the argument that during the eighteenth century music's perception and expression of time moved form the cyclical and eternal to the linear and finite, and that this shift signaled the advent of musical modernity.

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Berger further argues that this musical shift was also part of a larger cultural shift in the way educated Europeans conceived of time, which was part of the change from a pre-modern Christian worldview to a modern, secular one. Berger uses pieces by Monte This sophisticated book makes the argument that during the eighteenth century music's perception and expression of time moved form the cyclical and eternal to the linear and finite, and that this shift signaled the advent of musical modernity.

Berger uses pieces by Monteverdi, Bach, Mozart, and Beethoven to illustrate his points.

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Despite the extremely scholarly and intellectual nature of this book's content, it was a pleasure to read. Berger's prose was always clear and elegant, and his arguments were persuasive. Best of all, his insights into the pieces he discusses were wonderful and thought-provoking - the kind of analyses that will make you listen to and play the music differently. I was particularly enchanted by his discussions of imaginative and contemplative digressions in Beethoven's piano sonatas. I also loved his discussions of how Bach evokes timelessness. And the discussions of narrative and character motion and stasis in Mozart's operas was fascinating.

The intellectual world has long been waiting for musicology to open up to the "cultural turn" that other disciplines of the humanities took long ago: Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support?

Learn more about Amazon Prime. In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: Until this historical moment, as Berger illustrates in his analysis of Bach's St. Matthew Passion, music was simply "in time.

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But after the shift, as he finds in looking at Mozart's Don Giovanni, the experience of linear time is transformed into music's essential subject matter; the cycle of time unbends and becomes an arrow. Berger complements these musical case studies with a rich survey of the philosophical, theological, and literary trends influencing artists during this period.

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