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Three-Part Invention (Sinfonia), for keyboard No. 12 in A major, BWV 798 (BC L53)

If you have trouble playing the files, see Wikipedia Media help. The Complete Columbia Album Collection. Compositions for organ , keyboard and lute by Johann Sebastian Bach.

Bach Twelve Little Preludes. Retrieved from " https: Views Read Edit View history. Of this remarkable group, Schiff has achieved the greatest international reputation, due not only to his decision to pursue his career outside of Hungary, but also thanks to his finely shaded sense of touch and an impressive memory that allows him to present, in concerts and recordings, large portions of a composer's oeuvre.


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He made his debut in Budapest at the age of 19, following it with concert appearances throughout Europe and the United States. His reputation grew with prizewinning performances at the Moscow competition and the Leeds Festival.

J.S. Bach - Sinfonia #12 (A Major) - Three Part Invention

He also collaborated with the older musician in a violin-piano duo. In , Schiff founded his own chamber music festival at Mondsee near Salzburg.

In addition, in order to perform all of Mozart's piano concertos in Salzburg over a period of seven years, he formed his own ensemble, Cappella Andrea Barca, in Schiff's style, in which an unusually sensitive touch is combined with an alertness to contrapuntal clarity, has made him one of the foremost Bach interpreters of the day.

The two groups of pieces are both arranged in order of ascending key , each group covering eight major and seven minor keys.

BACH, J.S.: 2 Part Inventions / 3 Part Inventions / 6 Little Preludes (Koopman)

Bach titled the collection: Honest method, by which the amateurs of the keyboard — especially, however, those desirous of learning — are shown a clear way not only 1 to learn to play cleanly in two parts, but also, after further progress, 2 to handle three obligate parts correctly and well; and along with this not only to obtain good inventions ideas but to develop the same well; above all, however, to achieve a cantabile style in playing and at the same time acquire a strong foretaste of composition.